Welsh wastes no
time before throwing us into a world of drugs and the pursuit of more
drugs. Although the novel does not
have a traditional main character because the point of view is constantly
changing, Renton is the closest thing to it. His point of view provides the reader with a unique experience
because it allows for us to experience Leith and the world of drugs in which
they live from the perspective of a junky. Certainly the language itself is difficult to understand at
times, but this is not the strength of the Renton chapter. The strength of his point of view is in
conveying the anxiety he, Sick Boy, and the others experience in their unending
pursuit of heroine. Their appetite
is insatiable, and their addiction is the conflict throughout most of the
opening chapters of the novel.
What is off-putting
about the group is their complete neglect for those around them. Begbie in particular is off-putting
because he bullies people indiscriminately. Not only does he torture his friends with constant threats,
but he picks on tourists and robs them for fun. But Begbie is not the only one who is off-putting. In fact, the whole group of them were
so high for so long that they allowed for a baby to die from such an extended
period of neglect. It is likely
that the kid had been dead for days, but no one was sober enough to realize
it.
The book is totally a critique of the state. Drugs and
the state come up together all the time, which suggests that the Renton and the
others were using drugs, among other reasons, as a form of protest. Renton says:
“On the issue of drugs, we wir classical liberals, vehemently opposed
tae state intervention in any form.” (53) But the state comes up elsewhere in
the novel, even when drugs are not involved. Stevie at the New Years party finds a way of relating
football to what he believes is an oppressive British social structure. He says: “Football divisions were a stupid and irrelevant
nonsense, acting against the interests of working-class unity, ensuring that
the bourgeoisie’s hegemony went unchallenged.” (48)
I’m not sure I detected Welsh himself in the first two
sections. Later on in the novel we
encounter a lot more third person objective narration, and I suppose that those
chapters are more Welsh.
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